22. Great Odalisques (1954–1955) – Mladen Srbinović

“Great Odalisques” was painted in 1954–1955 in oil on canvas and belongs to the Legacy of Leposava Lepa Perović. The composition is dominated by three female nudes, shown seated and semi-reclining in the foreground. The figures are slightly stylized and defined by dark contours, which give them a sculptural presence....

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  • “Great Odalisques” was painted in 1954–1955 in oil on canvas and belongs to the Legacy of Leposava Lepa Perović.
  • The composition is dominated by three female nudes, shown seated and semi-reclining in the foreground.
  • The figures are slightly stylized and defined by dark contours, which give them a sculptural presence.
  • They appear positioned before a mirror, quietly observing their own reflections.
  • The scene conveys a sense of waiting and suspended time, as if anticipating someone’s arrival.
  • The dark background tones intensify the atmosphere of silence, tension, and introspection.
  • The painting reflects Srbinović’s interest in classical themes, reinterpreted through a modern, restrained sensibility.

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