16. The Inscription,1964.

The horizontal format of the painting is divided by a light vertical surface that nearly reaches the top and bottom edges This light surface represents the theme: Inscription, a parchment with discreetly written, engraved, or drawn symbols, accompanied by poetic, artistic, and structural meanings that occupy the artist in this...

  • The horizontal format of the painting is divided by a light vertical surface that nearly reaches the top and bottom edges
  • This light surface represents the theme: Inscription, a parchment with discreetly written, engraved, or drawn symbols, accompanied by poetic, artistic, and structural meanings that occupy the artist in this creative exploration
  • The color palette ranges from warm earthy tones to soft warm lights on the inscription’s surface
  • By choosing linden wood as the base, the painting emphasizes naturalness and materiality in its core concept
  • The piece is enriched by two subtly painted dragonflies—one in the lower right corner and the other in the upper left

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